Lambeth Windows
Lambeth windows are a type of windows that are sash-like. They are mostly made of timber and their design is determined by the architectural characteristics and style of the building. For instance, the sash windows at the St Margaret’s Church in Lambeth, Kent, feature a simple, symmetrical design with the central panel made of stained glass.
The Window of Pedlar
The Pedlar’s window is somewhat misleading one as the pedlar was a 17th century pedlar and not an actual one. He was a gentleman by the name of Henry Smith. As a matter of fact, he was a benefactor of many, one of which was his charitable donations. The current County Hall inherited his lands.
Despite his generosity, the Pedlar was not the first patron to be a part of the halls of St Mary’s Church. It was not the case in the 13th or 14th century. The Pedlar of Swaffham was actually sheltered by an local priest. After a successful and prosperous life, he pledged to donate his land to the church. If everything went as planned and he could even lend a hand should it be required.
The Pedlar’s Window is one of the most durable products. In 1500, the first stained glass window was constructed. It was replaced in the mid 19th century. Unfortunately, the original glass was lost in an World War II bombing raid. Since then, the window has been kept via donations, gifts and a small office of its own.
There are many other places in the Lambeth region that are less popular, but are more well-known. Lambeth Abbey and St James Park are some of the most well-known attractions. These are all worth a visit. However, if you’re looking for something little more obscure and less well-known, you can visit St Mary’s Church and Pedlar’s park. The park is situated just outside of the city’s main area and is a great spot to take in some greenery along with a history and an overall feeling of wonder. The Pedlar’s Garden is also home to the Salamanca open space, named after the 1812 Battle of Salamanca in Spain.
King’s College Chapel
The King’s Chapel is home to an assortment of medieval stained glass windows. Some of these windows are quite remarkable. One window depicts the Crucifixion in three different lights.
The King’s College Chapel’s windows are the place where the northern Renaissance style reached its peak. This could be due to Sir Christopher Wren, the great architect. There are twelve large windows on each side of the chapel. These are largely composed of scenes from the Old and New Testament.
The largest section of painted glass in the church is located in the west window of the nave. It is also one the most striking. It also depicts the Crucifixion it is also an extremely important window.
The window was donated by Francis Stacey, a King’s Alumnus. At present, Daniel Hyde is director of the choir’s music. He has been in charge of the choir since 1982.
The north wall has figures from the Old Testament and New Testament. The four Gospel writers are found on the north wall, as are Mary the mother of our Lord and Moses and Door Fitters Lambeth Aaron.
The ante-chapel contains other important windows. The Rood screen contains biblical scenes, including images of King Solomon and a young woman in profile. During Henry VII and VIII’s reign the screen was constructed in Westminster Abbey. Many of the interlocking H’s and HR’s have symbolic.
A second window, dating from the 18th century’s early years, was commissioned by Bishop John Russell of Lincoln. This window is the only one of its type. Another window was also ordered in Stamford St. Martin’s Church.
While a few of the other Lambeth windows in the King’s College Chapel were destroyed during the Second World War, it appears that the original window has remained intact.
St Margaret’s
St Margaret’s Cathedral is a Gothic structure that is located in Lambeth, England. It has a massive tower that is visible from Parliament Square. It was rebuilt in 1499-1500. It is divided into 20 windows and the Clerrestory.
The church’s east windows contain glass dating to before the Reformation. The window dates to c.1525. Hunt’s window is part the northern Renaissance style, depicting an image of a crucifixion that has the Cross that is spread across three lights.
Robert Hunt’s window is considered to be one of the most beautiful in the city. His window was installed during the reconstruction of St Margaret’s Cathedral. It’s possible that he wasn’t the only one to contribute. The glass and transport may have been financed by other donors.
Although the exact dates are not known However, the Lambeth windows aren’t the first windows to be coated with glazes in England. There are some references in the accounts of the churchwardens. Hunt might have ordered the glaziers, but it is possible that they were working in partnership with other donors.
Hunt’s window is a wonderful example of personalization within late medieval England’s parish churches. The images are a blend of stories and scriptures from both the Old Testament and New Testaments. In the collection are images of Hunt and his family.
The image also features 12 named saints. Certain saints are easily identified and others aren’t popular. Hunt’s personal preferences aside, the imagery speaks to Hunt’s devotional beliefs.
Hunt’s window is mentioned in the churchwardens accounts of 1500. It is not possible to determine his motives and motive. His will however offers a rationale for the absence of mentions of glaziers in parish records. Additionally his will suggests that the glazing in late medieval parish churches could have been funded by individuals, not by corporations.
Croydon chapel
The 18th century saw a reconstruction of the Chapel of St Margaret’s in Croydon. It has five side windows. The west window is a small blocked-light. This was probably installed by Archbishop Bourchier.
The south wall features Old Testament figures, including Moses, Aaron and David. Mary Magdalene is also present.
In the north wall are four Gospel writers. A doorway is also located in the north wall of the west wall.
The roman capitals are engraved on the east window. A small niche with an iron grate from the past is situated in the upper corner. The window above it is a set of keys in the form of a saltire.
Another window in the chapel has vertical tracery. The oriel window is an ogee-moulded sash. In the original design, there were four lights inside the head, with four centres. However, the top part has been blocked.
A doorway at the northern west end is decorated with a leaf motif. The basement partition is made of stone. The room is small, and has an open fireplace with a moulded four-centred head.
The long gallery on the eastern side appears to be half-timbered. A staircase from the 17th century is located on the upper part of the west wall. The ceiling is supported by moulded joists.
The stained glass windows in the apse were conceived by George Gilbert Scott. In addition two smaller windows in the nave. The other has a contemporary clock-face. These windows are made of oak similar to those found on the exterior elevations.
The chapel was rebuilt by Archbishop Bourchier. He extended the chapel to the east and added a block made from timber to the block. He also repaired the fabric following the Commonwealth. Under his administration there was a huge expansion of buildings on the hill.
Sash Windows Lambeth
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Sash windows are also referred to as sliding windows that are vertical, because they have two pieces of glass that move vertically in a frame. These windows have been in use for over a century.
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Investing in sash windows is an important decision. This is why it’s crucial to locate an alternative double glazing option in Lambeth that is suitable for your needs. You should also ensure that the choice you make does not compromise the aesthetics of your property.
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